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Sports Car Monthly - March 1987
THE CAT'S WHISKERS by Ian Ward
Like so many specialist enterprises. Lynx Cars was born out of a hobby. In this case it was managing director Guy Black who wiled away his spare hours breathing new life into sporting machinery way past its prime. Then a designer for Weslake, Black began by re- building a Riley Lynx—hence the company's name — and then moved on to other worthwhile models. It had not been his intention to specialise in Jaguars, but a C-type came his way for the face-lift treatment, followed by a tired example of the Coventry Company's other Le Mans winner, the D-type, and the die was cast. By this time, Lynx was in business and Guy Black quickly realised that the 75 D-types produced by Jaguar really weren't enough to satisfy an increasing demand.
The Jaguar factory has always been helpful with information and advice, but all the tooling has been made up from scratch to help Lynx's team of craftsmen in their tasks. Factory support stops at the name, however, it is officially frowned on for a Lynx to have a Jaguar badge — and they don't as they leave the works — but it is impossible to stop owners from making this swap.
This has become more sophisticated as time has passed, the latest development being simple electric locking for the electric hood (microprocessor sequencing of the whole window-winding-come-hood-folding operation is to follow). Nearly 70 Spyders have now been made, plus 35 Eventers, or XJ-S estates. Once again, the Eventer has an elegance that the rear of the coupe lacks and this conversion realises the sort of interior space that such a big car should have. The rear seat can even more backwards to offer more space for four passengers.
We headed down to St Leonards in the depths of winter to have a look at the operation and get our eager hands on the fabulous seductive D-type. Thick freezing fog stayed with us all the way from the wilds of Oxfordshire to but a couple of miles from the seaside, at which point we burst into bright, crisp sunshine; Chris Keith-Lucas was most surprised to hear of our travel traumas but things were looking up for our promised drive. On the principle of leave the best until last, we started with a tour of the factory, often a dull task but in this case a fascinating experience in itself. It is a joy to behold craftsmen fashioning the sculpted shapes of the D-type body out of plain aluminium sheet and to see how each hand-beaten panel merges naturally with its neighbours.
The D-type is based on the E-types's central tub and tubular subframes — very similar to those of the D. Thus the starting point is a dilapidated E which can offer itself as the basis of the new car—a strict proviso as far as the registration people are concerned (the Lynx classes as a rebodied E-type carries a chassis plate from the original donor car). All the E-type parts are incorporated into the new D. Major differences from the racing original are wet-sump lubrication, requiring an imperceptibly raised bonnet line, and independent rear suspension, although a live axle could be had if real authenticity is construction work is left to amateurs.
We are indeed fortunate with the weather, for there is no hood — and nor would you want one to dull the exhilaration of a turn in such a classic racing re-creation. The full-harness seat belts are about the only concession to modern times. A touch of the button (no key-start here) has the legendary XK bursting into song. This is no standard straight-six; a 4.2, its head has been reworked, with enlarged inlet valves, special cams have been installed and with three 45DCOE Webers it develops around 300bhp — a genuine figure, unlike the exaggerated 'gross' claim for the production E-types. The best combination of engine/transmission is the 3.8 power plant with the 4.2 gearbox, giving the power, with more top-end freedom and a reasonable change.
Although it is 'silenced', the exhaust emits an ear-splitting bark, which leaves the more perceptive beholders in do doubt as to the number of cylinders under the bonnet. At 5000rpm, the XK sounds as though it is doing twice that, yet there is no hint of labouring. Even the vestigial screen performs well in deflecting airflow over the head. The steering is positive, if weighty, and handling surprisingly crisp for a car of this design vintage, while coupled with quite passable ride comfort. Over-enthusiastic application of the throttle will have the back hanging wide in a flash, but such 'moments' are quite controllable.
Fine-weather car the D-type may be, but there would suddenly be a lot more fine weather if you owned one. We can't wait for another go. |
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